[This article was originally published in The Jamaica Sunday Observer. This online version has been slightly amended from the original article.]
John Crow’s Devil, Marlon James’ explosive entrance onto the literary stage, is not your conventional Caribbean novel. For starters, it has an unusual opening – it begins at ‘The End’. Readers are propelled immediately into the nub of the story, and thus from the outset are robbed of the element of surprise. Yet here is a book so tight with tension and suffused with mystery, it was hailed as one of the best books of the year by the New York Times and was shortlisted for the Commonwealth Writer’s Prize in 2006. ‘It’s the road to ruin that fascinates me, the journey if you will’ James says in explanation of his structural decision. And what an expedition this novel takes you on!
Following the global success of Hullaballoo in the Guava Orchard, Kiran Desai’s second novel is a spectacular oeuvre that has been heralded by critics and readers alike as one of the year’s finest books. Suketu Mehta said of the work of fiction: ‘(It is) a revelation of the possibilities of the novel’, and indeed, for The Inheritance of Loss there seems to be no boundaries. The 395 page volume spans over four generations and two continents. However the quality of this mammoth novel lies not only in its breadth but also in its depth. The narrative not only explores universal themes such as love, hatred, longing and abandonment but also adroitly tackles the most pressing of contemporary issues: economic inequality, immigration, globalisation, post-colonialism, nationalism and terrorism.